PROGRAM
Tokyo Festival Farm
Asian Performing Arts Camp Final Presentation
- Childcare services
- Wheelchair accessible
- Writing board support
Namyoung Kim – Seoul (Korea)
Hon-Ting Michael Li – Hong Kong
Lee Lim – Metro Manila (The Philippines)
Alissa Osada-Phornsiri – Tokyo (Japan)
Sakhi Upadhyaya – New Delhi (India)
Moderators: Asian Performing Arts Camp Facilitators
Kyoko Takenaka – Tokyo (Japan), Paris (France)
Kanoko Tamura – Tokyo (Japan)
Presentation by creators from across Asia following a two-week art camp
Asian Performing Arts Camp is a program for performing arts practitioners working in various parts of Asia. Using their own personal themes and concerns as starting points, the campers participate in lectures and workshops, hold discussions with people from different countries and cultures, and conduct research and fieldwork. Through this process, the Camp aims to help artists cultivate thoughts and ideas together, and to explore future possibilities for their own practices and fields. In this presentation, participants will share what they have gained and exchange thoughts with the audience, thus fostering their own artistic growth. The event will incorporate interactive communication between the audience and the participants, allowing each member of the audience to give their feedback on presentations.
Presenters: Asian Performing Arts Camp Participants
Namyoung Kim – Seoul (Korea)
Namyoung (b. 1999) is an artist based in South Korea, primarily making performing arts with functional objects. She aims to become a body capable of both offense and defense simultaneously. Through the process of combining functional objects with her body, she creates movements. She does not perceive the audience as external third parties but actively involves them in the performance. Notable works include "Beside Me" and "Camouflage". Additionally, She is one of members of "Perbuhae", a self-sustaining educational performance collective.
Hon-Ting Michael Li – Hong Kong
Michael (b. 1994) is an independent producer, curator, and dramaturge based in Hong Kong. His research primarily focuses on exploring the relationality of the arts ecosystem and its artistic products. He actively engages with his immediate contexts and employs their producing and curatorial practices as a means of proactive and constructive response. In 2020, Li established Tin Project, an independent space dedicated to curating research and development platforms, facilitating independent residencies, and organizing non-production artistic events.
Lee Lim – Metro Manila (The Philippines)
Lee (b. 2000) is an emerging theatre and performance artist based in the Philippines. They studied in the University of the Philippines - Diliman under the BA Theatre Arts program, majoring in Performance. As a queer artist, they take interest in using acting, movement, dramaturgy, devising, performance phenomenology, and queer performance studies– to navigate the complexities of queer experiences. Their recent self-revelatory performance entitled "LINUS (they/them)" was a reclamation of their own queerness that was repressed in their upbringing.
Alissa Osada-Phornsiri – Tokyo (Japan)
Alissa (b. 1994) is an arts manager and producer based in Tokyo whose interests lie in exploring the coordination and management of interdisciplinary art projects centred on feminism, community, and care. An Asian-Australian child of Japanese and Thai immigrants trying to understand her role as an arts manager through exploring ways to create working environments in which peoples of all identities and backgrounds can express themselves fairly and freely. In 2023 she co-founded (O)Kamemochi, an intercultural and interdisciplinary arts collective.
Sakhi Upadhyaya – New Delhi (India)
Born in 1995, Arun is an applied theatre practitioner and theatre artist based in New Delhi, India. His work revolves around ideas of performance, research and playfulness, exploring how we can generate meaningful dialogues among people of all ages about identity and community, possibilities and limitations, and the collective future of humanity. His directing credits include Rihla (Sarang Festival), Bhagi Hui Ladkiyan (EQUAL Festival, META Selection and Special Jury Award), and Mahish (Ranga Shankara Festival). He has been teaching theatre in schools and NGOs for seven years, and is a Teaching Fellow in the Department of Sociology and Anthropology at Ashoka University.
Moderators: Asian Performing Arts Camp Facilitators
Kyoko Takenaka – Tokyo (Japan), Paris (France)
Producer, actor, theatre educator
Kyoko Takenaka moved to France in 2011 and became the first Japanese person to pass the acting section of the French National School of Drama; in 2016, she obtained the French National Actor’s Certificate. Based in Paris, she has appeared in various theater productions, mainly those of French national and public theaters. In 2017, she resumed her work in Japan. Alongside acting, she also holds lectures and workshops on harassment issues in French theater education and production. In 2021, she received France’s State Diploma in Theatre Teaching. She has performed in The Question of Faeries and Madame Butterfly (both written and directed by Satoko Ichihara) and Last Geisha (written and directed by Shogo Ota), among other works. She has been a producer at the art company Hydroblast since 2022. Takenaka takes a documentary approach to planning projects and creating works. Her favorite foods are wood ear mushrooms and pork. https://hydroblast.asia/
Kanoko Tamura – Tokyo (Japan)
Art Translator
Kanoko Tamura is the director of Art Translators Collective. She works in a range of fields, including Japanese and English interpretation and translation, as well as communication design. Exploring the possibilities of translation as a mediator between people, cultures, and languages, she facilitates creative approaches to dialogue that suit the needs of each space. As an adjunct instructor in the Global Art Practice department of the Graduate School of Fine Arts at Tokyo University of the Arts, she teaches English and communication to artists. She was also Director of Communication Design at the Sapporo International Art Festival 2020, where she mediated between the exhibition and the audience. She is a member of the non-profit organization Art Commons Tokyo. She has two turtles and three newts. Her favorite foods are soup and sweet corn. https://art-translators.com/
Schedule
Saturday, Sep. 28, 3:00 p.m. – 7:00 p.m. (JST)
*Reception and venue opening times are 15 minutes before the start time.
*Audience members are invited to participate in the presentation activities and feedback during the event.
*Entry and exit during the day is permitted.
Venue
Tokyo Metropolitan Theatre Gallery 2 (5F)
1-8-1 Nishi-Ikebukuro, Toshima-ku, Tokyo
2 minutes’ walk from the West Exit of Ikebukuro Station on the JR and other lines. (Direct connection to the theatre from Exit 2b.)
*For access to Gallery 2, please take the elevator from the 1st floor of the theater or the escalator to the 5th floor.
For information on how to get to Tokyo Metropolitan Theatre, please refer to the “Access” page.
Accessibility
For more information, please refer to the “Accessibility” page.
- Writing board available
- Childcare service (temporary childcare is available within the theater. Fees apply. Limited capacity)
Reservations and inquiries: Mirakus Corporation Mirakus Sitter 0120-415-306 (Weekdays 9 a.m- 5 p.m.(JST))
Applications must be made at least one week prior to the desired date. For children aged 3 months to those not yet enrolled in elementary school.
Click here for details
To all visitors
- Please refrain from visiting if you have a fever or are feeling unwell.
- Wearing a mask is at the discretion of the individual. Please wear one when necessary, such as when the venue is crowded.
- We recommend that you practice proper cough etiquette and wash your hands.
Staff
Asian Performing Arts Camp
Facilitators: Kyoko Takenaka, Kanoko Tamura
Art Translators: Kyle Yamada, Yuki Harukawa, Yume Morimoto, Hibiki Mizuno
Program Coordinators: Yukio Nitta, Rin Terada
Production Coordinator Assistants: Yu Fujisaki, Minami Inoue
Farm Editorial Office
Chief Editor: Rieko Suzuki
Assistant Writers: Mew Imashuku, Miwa Yanagihara
Farm-Lab Office
syuz’gen LLC.
Chief Managers: Satoshi Okawa, Rin Terada
Program Coordinators: Hinako Someya, Yukio Nitta, Minano Hirano
Advisor: Yuko Uematsu
Back Office: Mihoka Kawamura, Hinako Someya
Communication Design Team
Art Translators Collective
Team Lead: Kyle Yamada, Yuki Harukawa
Members: Kanoko Tamura, Yume Morimoto, Hibiki Mizuno
Tokyo Festival Executive Committee
Manager (Farm): Natsumi Hamada
Organizer: Tokyo Festival Executive Committee [Tokyo Metropolitan Foundation for History and Culture (Tokyo Metropolitan Theatre & Arts Council Tokyo) Tokyo Metropolitan Government] / Japan Arts Council / Agency for Cultural Affairs, Government of Japan
Commission: Japan Cultural Expo 2.0 in the Fiscal Year 2024
Sponsor: Asahi Group Japan, Ltd
Inquiry
Farm-Lab Office
+81(0)3-4213-4293 (Open weekdays 10:00 a.m. – 6:00 p.m. )
farm@tokyo-festival.jp