About Tokyo Festival Farm

Tokyo Festival Farm is a framework for education outreach and creative talent development within Tokyo Festival. It was launched in 2021 by combining Asian Performing Arts Farm (APAF), a platform promoting exchange and growth among young artists in Asia, with Festival/Tokyo (F/T)’s Research Program and Education & Outreach Program.
This year, Tokyo Festival Farm will be holding various programs under two categories: “Lab” for supporting the growth of emerging artists through research and development, and “School” for education outreach. "Lab" aims to cultivate young professionals who are able to freely navigate the many increasingly fluid borders of our world. The initiative encourages artists to explore the interdisciplinary and interregional "transfield" through collaboration with others. “School” provides young audiences, mainly university students, with opportunities to explore and interact through stage works by attending lectures, participating in talk events, and writing reports.

Tokyo Festival Farm Lab Guidelines

To ensure a safe creative space that is non-discriminatory to individuals of all social categories, the Tokyo Festival Farm Lab will follow the “Tokyo Festival Farm Lab Guidelines

Tokyo Festival Farm 2022 Theme: Unlearning Cities

“Cities ≠ Gathering”
This year’s Tokyo Festival Farm 2022 will be held under the theme “Unlearning Cities.” Drawing on last year’s core question, “Why Cities?,” this year we aim to actively reassess our understanding of the city as a site of gathering. In recent years, the final products of Tokyo Festival Farm’s international online programs have shown us that the purpose and function of the “online” are shifting—from sharing information and time to creating actions and experiences. There are increasingly more things that can be done without physically gathering. As we let go of conventional values, perhaps our understanding of the city as a site of gathering will no longer be the standard. Still, I believe cities have a function, and that is to ensure diversity. I feel the potential of cities comes from how they allow a wide spectrum of people to gather and coexist, rather than from sheer numbers.
In this year's program, we will have two teams taking on international co-creation, exploring various possibilities of collaboration with members from different fields and backgrounds.
The online art camp will be holding an open call for participants from all over Asia. For those based in Japan, some programs will be open to visitors, and there are also assistant/internship programs to engage with sites of international co-creation. We hope you also look forward to our education outreach programs aimed at students. In all of our work, we will make efforts to prevent harassment and foster a safe environment for the performing arts based on our guidelines.
The future of this decade still remains uncertain. Tokyo Festival Farm is a site for us to create the future we want to see. We invite you to come and join us.

June 2022
TADA Junnosuke, Tokyo Festival Farm Director

Toward a New Space for Coexistence and Collaboration
Common sense is changing drastically. Even within the field of art, the sensibilities and ideas that were once considered the norm no longer apply. Once effective ways of doing things are not only no longer working today, but are beginning to cause harm. These approaches were likely never harmless to begin with, but what was once overlooked is now clearly destructive or hurtful toward people.
Changes in common sense began even before the pandemic. I believe that this has become more noticeable with the thorough “reconsideration” of behavioral patterns and value systems over the past two and a half years.
Over the past two and a half years, what we have experienced is not so much a process of learning, but rather an “unlearning” or uninstalling of what we had internalized without realizing. It was a time to observe, unravel, and reexamine the value contained within, or lacking in, the things we had unconsciously or uncritically been enjoying and taking part in. How can we build on that to create a form of collective creation and collaboration that is fair and brings everyone joy? How do we rediscover and reconstruct the city as a symbol of coexistence and exchange with others? (And do we need to?) This year’s theme, “Unlearning Cities,” reflects such ambitions.
Tokyo Festival Farm is a place where people who feel wary of conventional approaches and have hopes for a different future can come together to cultivate the soil, sow seeds, and nurture seedlings of change at a time of great shifts in society. If this sounds like something you’d like to be a part of, please join us.

June 2022
NAGASHIMA Kaku, Tokyo Festival Farm Co-Director

Public Lecture
“Stateless – Where Do I Belong?”

Special public lecture looking at nationality and identity

Tokyo Festival Farm Lab aims to cultivate young professionals able to freely navigate the many increasingly fluid borders of our world. The initiative encourages artists to explore the interdisciplinary and interregional "Transfield" through collaboration with others. Some lectures offered under this program will be open to the public.

The lecturer for this session will be CHEN Tien-shi, who was born in Yokohama Chinatown to Taiwanese parents who immigrated to Japan and yet remained stateless under Japanese law for thirty years or so due to the severance in diplomatic relations between Japan and Taiwan which accompanied the normalization of ties between China and Japan.

After the lecture there will also be a discussion in which CHEN joins Tokyo Festival Farm Lab participants from other parts of Asia to consider the meaning of nationality and identity.

Comment from Lecturer

"What is your nationality?" "Where are you from?"
In a gathering of people from all over the world, conversations often begin with such questions when meeting someone for the first time. This may be the case at the Tokyo Festival Farm.
Many people often answer with their nationality, such as "I am Japanese," "I am Chinese," or "I am American.” Who asked the question also often expects such an answer.
But what does nationality really represent about a person?
Through my own experience of living as a stateless person for about 30 years, and through research and activities of stateless people, I will think about nationality, identity, and place in the era of globalization.

Schedule: Wednesday, Aug. 17, 18:30 - 21:00 (JST)
- The broadcast may end slightly earlier or later than advertised.
Place: Online
Language: Japanese (Japanese-English consecutive interpretation available)
Lecturer: Lara, CHEN Tienshi (Professor at Waseda University, Representative of NPO Stateless Network)

Ticket: Free (Application required)
Application form

How to participate
– The lecture will be streamed via video conferencing software Zoom. Please check your viewing environment using the link below:
support.zoom.us/hc/en-us/articles/201362023

– Zoom can be used from smartphones and devices such as iPads, iPhones, and Android devices.
– As the event will be broadcast over the internet, in some cases the visuals or audio may be disrupted by connection issues, etc. Depending on the situation, it may become necessary for us to temporarily stop the broadcast and re-connect.
– To keep the quality of sound, please mute your microphone before joining the meeting room.
– You can use your webcam at your choice.
– The URL for Zoom will be sent to you by auto-reply to your registration email.
– There is a Q&A session for discussion with the lecturer.
– Please note that the Farm-Lab Office will record this event and use the screenshot taken during the event for PR.
– Recording the lecture in any way (audio/video recording, screen captures, etc.) is strictly prohibited.

陳 天璽(Lara, CHEN Tienshi)
Lara, CHEN Tien-shi, who was born and raised in Chinatown in Yokohama, lived as a stateless person for over 30 years. After completing her Ph.D. in International Political Economy, she started researching the lives of Stateless people from an Anthropological approach. She wrote the book “Mukokuseki (無国籍 Stateless,)” “Mukokuseki to Fukusukokuseki (無国籍と複数国籍 Stateless and Multiple-Citienship)”, and picture book “Nijiiro no Pendanto (にじいろのペンダント Rainbow Pendant)” etc,. She now teaches at the School of International Liberal Studies, Waseda University, also representative of NPO Stateless Network.

Tokyo Festival Farm 2022 Lab: Open Call Programs

Program accepting applications (updated July 22, 2022)
※Please be sure to read the application guidelines for further details on eligibility, etc.

Farm-Lab Exhibition

・Exploratory Performance Presentation directed by Manila-based Serena MAGILIW
Eligibility: Performers aged 35 or younger based in Japan (Language: Japanese/English *Interpretation will be provided)
Application guidelines (PDF) *Closed

・Exploratory Performance Presentation directed by Tokyo-based y/n (HASHIMOTO Kiyoshi + YAMAZAKI Kenta)
Eligibility: Performers aged 35 or younger based in Asia other than Japan (Language: Japanese/English *Interpretation will be provided)
Application guidelines (PDF) *Closed

Asian Performing Arts Camp (Online)

Eligibility: Directors, choreographers, playwrights, dramaturgs, producers, or any artists aged 35 or younger based in Asia (Language: English)
Application guidelines (PDF) *Closed

[Online Orientation for Applicants]

Speakers: Asian Performing Arts Camp Facilitators YAMAGUCHI Keiko and James Harvey ESTRADA
・An online orientation in English for potential applicants will be live streamed on the Tokyo Festival YouTube channel. *Closed

Creative Intern

Eligibility: Artists aged 18-35 based in Japan (Language: Japanese)
Application guidelines (in Japanese only)  *Closed

Art Translator Assistant

Eligibility: Those who are 18 years or older with language skills to interpret between Japanese and English (Languages used: Japanese-English)
Application guidelines (in Japanese only)  *Closed

Farm Editorial Office Assistant Writer

Eligibility: Those who are aged 18-35 who wish to work as an assistant writer (Language: Japanese)
Application guidelines (in Japanese only)*Closed

Production Coordinator Assistant

Eligibility: Those who are aged 18-35 and based in Japan and have experience as production coordinator (Language: Japanese)
Application guidelines (in Japanese only)  *Closed

About Communication Design

Tokyo Festival Fam is a site of international collaboration that brings together members from different cultures and countries, and the Communication Design Team is involved in program design from an early stage to ensure an environment in which all participants, regardless of their background or social status, can feel at ease in their creative endeavors.

Communication Design Team
Art Translators Collective
Team Lead: TAMURA Kanoko
Members: YAMADA Kyle, MIZUNO Hibiki, HARUKAWA Yuki, MORIMOTO Yume, UEDA Haruka

Select initiatives
■ Implementing and maintaining guidelines for Tokyo Festival Farm-Lab
We have created guidelines to prevent discrimination, harassment, and other abuses of human rights, and ask all people involved in Tokyo Festival Farm to comply with them. In addition, the contents of the guidelines are reviewed annually to ensure their continuous improvement.

■ Confirming gender pronouns and respect for gender identity
To prevent misgendering*, since last year’s festival we have created a field in the application form for people to enter the pronouns (or names, etc.) that they would like to use. We will continue to share knowledge and awareness throughout the festival period to ensure that each individual’s pronouns are respected.
*The discriminatory act of addressing a person as something other than their self-identified gender (e.g., using personal pronouns or honorific titles that are based on assumptions of gender based on appearance).

■ Art translations that respect diversity in language and communication
English is the common language for communication within the Tokyo Festival Farm, which attracts participants from many Asian countries. However, the way English is spoken varies greatly between places and cultures. The Communication Design Team respects the forms of English spoken by all, designs an environment in which both fluent and non-fluent English speakers can communicate on an equal footing, and provides interpretation and translation services that go beyond language conversion. There are also differences in communication that arise due to cultural differences and other factors. Rather than forcing people to conform to a single cultural norm (e.g., Japanese manners), the kinds of communication necessary for the occasion will be explored through the individual perspectives that participants bring to the table.

■ Providing learning opportunities
Participants will be provided with guidance, lectures, and workshops in advance of the program to help them understand the above initiatives.

Staff

Tokyo Festival Farm Director TADA Junnosuke

TADA Junnosuke is a theater director who heads Tokyo Deathlock. Through his work, which spans classic to contemporary plays as well as dance and performance, Tada continues to question, by recreating real situations, the actual experiences of people in contemporary society. His practice, founded on the collaborative nature of theater, is one that goes beyond borders: Tada’s activities engage children and non-theater professionals. He has also been involved in multiple international collaborations, including Japan-South Korea and Japan-Southeast Asia productions. In 2010, he became the Artistic Director at Cultural Center of Fujimi City, KIRARI FUJIMI, making him the youngest artistic director of a theater for a public institution in Japan (he served for three consecutive terms over nine years). In 2014 Karumegi won the 50th Dong-A Theater Awards for Best Direction, making Tada the first non-Korean to receive the award. Tada is also part of the directing department of Oriza Hirata’s theater company Seinendan, and a part-time lecturer at Shikoku Gakuin University and Joshibi University of Art and Design.

Tokyo Festival Farm Co-Director NAGASIMA Kaku

He translated plays by Samuel Beckett and other modern and contemporary playwrights. Recent years he got interested in bringing theatrical ideas and techniques out of the theatre to the town and takes actively part in art projects. He was appointed director of Festival/Tokyo from 2018 to 2020. He is also a project professor at the Department of Musical Creativity and the Environment, Tokyo University of the Arts.nt of Musical Creativity and the Environment, Tokyo University of the Arts.

Farm-Lab Office
syuz’gen LLC.
Chief Manager: UEMATSU Yuko
Program Manager: TANI Akiho
Program Coordinators: MAEHARA Takuya, FURUKAWA Mao, TERADA Rin, EGUCHI Masato, OKAWA Satoshi, MIYAHARA Kanae, MITO Ayumi
Public Relations: YUKAWA Yuko
Back Office: KAWAMURA Mihoka, SOMEYA Hinako

Communication Design Team
Art Translators Collective
Team Lead: TAMURA Kanoko
Members: YAMADA Kyle, HARUKAWA Yuki, MORIMOTO Yume, MIZUNO Hibiki, UEDA Haruka

Tokyo Festival Executive Committee
Manager (Farm): MUROUCHI Naomi

Organized by Tokyo Festival Executive Committee [Toshima City, Toshima Mirai Cultural Foundation, Tokyo Metropolitan Foundation for History and Culture (Tokyo Metropolitan Theatre & Arts Council Tokyo), Tokyo Metropolitan Government]

Supported by the Agency for Cultural Affairs, Government of Japan in the fiscal 2022
Sponsored by Asahi Group Japan, Ltd.

Inquiries

Farm-Lab Office
Email: farm@tokyo-festival.jp
Phone: +81(0)3-4213-4293 (Open weekdays 10am – 7pm JST)